Displaying a God of Beauty Draws Youth to Christianity

In my latest series of articles, I've been looking at leveraging beauty in our evangelism and our defense of the faith. We've already established that beauty is one of the primary virtues, and how we can know that beauty is not simply "in the eye of the beholder" as we've been led to believe. There is in fact an objective nature to beauty.

In an interesting post, Travis Dickenson pointed to an article in the U.K.'s The Telegraph entitled "One in six young people are Christian as visits to church buildings inspire them to convert." The article goes on to offer statistics of how more than one in five young people between 11 and 18 describe themselves as "active followers of Jesus" while 13% categorize themselves as practicing Christians. In 2006, a study showed that number as only 6%, which means the number of young people in the UK coming to faith may have more than doubled in just over a decade.1

What has driven this trend? The architecture of the church may have something to do with it, according to the article:

Around 13 per cent of teenagers said that they decided to become a Christian after a visit to a church or cathedral, according to the figures.

The influence of a church building was more significant than attending a youth group, going to a wedding, or speaking to other Christians about their faith.

…

The study suggests that new methods invested in by the Church, such as youth groups and courses such as Youth Alpha, are less effective than prayer or visiting a church building in attracting children to the church.

One in five said reading the Bible had been important, 17 per cent said going to a religious school had had an impact and 14 per cent said a spiritual experience was behind their Christianity.2

Leaving Out Beauty Leaves out the Full Picture of God

Dickenson notes all this and offers that there is something more powerful about experiencing God in a beautiful building than in a functional box:

We build church buildings today almost exclusively for function. Function is of course not unimportant. If there's no door to get into the building, then this is a problem. But we seem almost completely unconcerned about the kind of experience a building will give. There are some incredibly beautiful doors out there!

Does it sound strange to talk about beauty affecting our experience?

Consider what it would be like to read a book (even a really good book) sitting in a single chair with bright fluorescent lights in a high school gymnasium. Then consider what it would be like to read the same book [in an exquisitely crafted and detailed library.]

Or in a great coffee shop or out in nature.

The point is that the experiences depend in part on our environment. Being surrounded by beauty importantly changes and greatly enhances the experience. When we are surrounded by beauty, it more fully engages our souls. We are not just rationally engaged, but we are engaged in deep parts of our souls.

If this is right, then why wouldn't we include beautiful aspects in our worship environments? When the experience is only rote and rational, then we have not presented the full picture of who God is. 3

I think Dickenson's right in this. We are inspired by beauty in music, in architecture, and in form. We serve a God who values beauty, and we should properly represent Him this way as much as we do a God who values truth and reason. How do we know God values beauty? I'll offer that argument next time.

References

1. Olivia Rudgard. "One in Six Young People Are Christian as Visits to Church Buildings Inspire Them to Convert." The Telegraph, Telegraph Media Group, 17 June 2017, www.telegraph.co.uk/news/2017/06/17/one-six-young-people-christian-visits-church-buildings-inspire/. Accessed 5 July 2018.
2. Ibid.
3. Travis Dickenson. "Want to Reach Youth? Build a Beautiful Building!" The Benefit of the Doubt, 23 June 2017, www.travisdickinson.com/want-reach-youth-build-beautiful-building/. Accessed 5 July 2018.

Arguing for the Beauty of God in an Ugly World

Beauty matters. Along with the Good and the True, the Beautiful was understood to be one of the fundamental aspects of ideal human existence. From the earliest societies, people sought to surround themselves with what is beautiful. It is a part of how people shape their culture and how they interact with one another. Greek columns and Roman mosaics are iconic representations of the heights of their cultural achievements. We seek to adorn ourselves with the beautiful.

Yet we live in a time where function has overtaken form and pragmatism overrides aesthetics. Cold concrete boxes and black asphalt has replaced the Greek column and the Roman mosaic. The West emphasizes the laboratory over the Louvre, rapidness over reflection, and efficiency over elegance. Philosopher Roger Scruton presented some clarifying remarks on the relation of beauty to culture. He writes:

Unlike science, culture is not a repository of factual information or theoretical truth, nor is it a kind of training in skills, whether rhetorical or practical. Yet it is a source of knowledge: emotional knowledge, concerning what to do and what to feel. We transmit this knowledge through ideals and examples, through images, narratives, and symbols. We transmit it through the forms and rhythms of music, and through the orders and patterns of our built environment. Such cultural expressions come about as a response to the perceived fragility of human life, and embody a collective recognition that we depend on things outside our control. Every culture therefore has its root in religion, and from this root the sap of moral knowledge spreads through all the branches of speculation and art. Our civilization has been uprooted. But when a tree is uprooted it does not always die. Sap may find its way to the branches, which break into leaf each spring with the perennial hope of living things. Such is our condition, and it is for this reason that culture has become not just precious to us, but a genuine political cause, the primary way of conserving our moral heritage and of standing firm in the face of a clouded future. 1

Beauty matters a lot, perhaps a lot more than the place we give it in modern Western culture. Yet, there is still a longing for beauty in the human soul, perhaps even more so now that beauty isn't integrated into our everyday experiences. As I speak to young people today, they long to find the beautiful in life.

Because Christians live in the milieu of Western pragmatism, we can lose sight of the power of appealing to the Beautiful as an argument for God. Apologists tend to argue about facts of science, as being for or against “X,” or tackling objection it thrown at them. These are all worthwhile pursuits, but I think there's a huge untapped potential in appealing to the Christian God and the Christian story as ways of finding the beautiful isn't considered enough. Scruton continues:

At the same time, the decline in religious faith means that many people, both skeptics and vacillators, begin to repudiate their cultural inheritance. The burden of this inheritance, without the consolations on offer to the believer, becomes intolerable, and creates the motive to scoff at those who seek to hand it on.2

We live in a world where nothing seems concrete. The beautiful has been obfuscated, but every human being still longs for it. I think the attractiveness of God is harder for atheists to argue against than some of the traditional proofs for His existence—or at least harder to misinterpret.

In upcoming posts, I'll be presenting ways how you may integrate arguments for beauty into your discussions about God. For we don't worship a God who is merely practical. We worship the God of Beauty.

References

1.  Roger Scruton. Culture Counts: Faith and Feeling in a World Besieged. New York: Encounter, 2007. Print. V.
2. Ibid.