Today is October 21, 2015, known as "Back to the Future Day" in pop culture
circles. In
Back to the Future II, today is the pivotal point
where Marty travels to the future, Biff steals the time machine, and the entire
course of history is changed where the villain becomes triumphant. Marty must
restore the timeline so the good guy wins and evil is vanquished.
Another
popular movie franchise is also on everyone's lips this week as the last trailer
for the seventh installment of the
Star Wars saga has been released.
I found it interesting that people were lining up and crowding movie theaters to
see the trailer for the film! People have already bought tickets to a showing
that's two months away.
The Avengers and other comic book hero films
are similarly popular. All one has to do is look at the top
all-time box office
grosses to see how superheroes and genre films like
Star Wars or
Lord of the Rings are massively successful. What's causing all the
attraction to these kinds of films?
A Rising Culture of Moral Ambiguity
One reason why my curiosity was piqued at the popularity of these films is
their very simple portrayal of good and evil. Star Wars and comic hero films
draw very clear lines between good and evil. The characters may have some inner
struggles, but they aren't an anti-hero like the television series Dexter or
Breaking Bad. Those characters have become more popular
as they reflect the moral relativism held by so many people, especially the
younger generation. As the television site Flow notes:
Dexter possesses a key
element common to a lion's share of the series that critics, fans and scholars
laud as contemporary quality television: a central character that is, at best,
morally ambiguous and, at worst, either so pathologically self-centered or
self-contained that his/her actions stretch our common lexicon for one who has
"emotional baggage" that often ends with blood (and lots of it); in other words,
"amoral" or "immoral" don't seem quite fit the discursive bill.
1
Clearly, the belief that morality is relative is increasing. It is the default
position on college campuses today, and students are so entrenched in it they
would
rather say rape is OK than admit that there are objective values and duties
to which we all must conform. The clear good/evil distinction seems out of place
in such a world, so why are films that reflect is so incredibly popular,
especially with the youth?
How to Kill a Dragon
I think the answer is a simple one. Moral relativism may sound great, but
inside most people there's a nagging suspicion that it isn't true. People long
for good to triumph and evil to be vanquished. Underneath it all they really
want there to be a right and a wrong, a good and an evil, and they want to be
able to identify which is which. Hero movies meet this need.
G.K.
Chesterton famously observed:
Fairy tales do not give the child the idea of the evil or the ugly; that is
in the child already, because it is in the world already. Fairy tales do not
give the child his first idea of bogey. What fairy tales give the child is
his first clear idea of the possible defeat of bogey. The baby has known the
dragon intimately ever since he had an imagination. What the fairy tale
provides for him is a St. George to kill the dragon.2
We used to tell myths of knights and dragons to communicate the idea of good
conquering evil and right overpowering wrong. I know of no parent who reads such
stories to their children any longer. While our film experiences let us escape
in the wonder of a world that is morally clear and encourages us to slay our own
dragons, our television choices week after week paint in all greys and show how
self-justification can be leveraged to help us do what we want, just like Biff
Tannen in
Back to the Future II. The only question is which timeline
will remain as part of our future?
References