Tuesday, January 10, 2017

Why a Beautiful Sunset Argues for God's Existence



Have you ever seen a beautiful sunset or had your breath taken away by a stunning vista? Such experiences leave us with a sense of awe. They also feel a bit hallowed; people are a bit more reverent when taking in the natural beauty of the world. The delicate symmetry of a snowflake or the glistening of a spider's dew-dropped web awakens a sense of beauty in our souls, prompting believers to thank God for His amazing handiwork.

But is that last move valid? Can we infer God simply from something we ourselves find beautiful? Actually, we can.

Last week, I was discussing the various arguments for God's existence with Dr. Robert Stewart and Dr. Sean McDowell. Most Christians who are interested in apologetics are familiar with arguments from the existence of the universe, the fine-tuning of the universe, and the reality of moral values and duties. Some have heard the argument from consciousness or the argument from reason. But there is another argument that many people don't hear about and that is the argument from beauty.

What is the argument from beauty? Richard Swinburne explains it this way:
If there is a God there is more reason to expect a basically beautiful world than a basically ugly one. A priori, however, there is no particular reason for expecting a basically beautiful rather than a basically ugly world. In consequence, if the world is beautiful, that fact would be evidence for God's existence.1

The objective nature of the beautiful

I think one of the reasons the argument from beauty isn't more well-known is simply that people don't believe beauty is an objective thing. We've all heard the bromide that "beauty is in the eye of the beholder" and taken that to mean beauty is completely subjective. Even shows like The Twilight Zone foster the idea. People assume that beauty, since it is enjoyable, is like other enjoyable experiences. And given that everyone has a different view of what counts as enjoyable, then beauty must also be subjective in this same way.

However, the beautiful is different from the merely enjoyable. Roger Scruton upacks the difference:
There is also a sense in which you cannot judge something to be enjoyable at second hand: your own enjoyment is the criterion of sincerity, and when reporting on some object that others find enjoyable the best you can sincerely say is that it is apparently enjoyable, or that it seems to be enjoyable, since others find it so.

However, it is not at all clear that the judgement that something is enjoyable is about it rather than the nature and character of people. Certainly we judge between enjoyable things: it is right to enjoy some things, wrong to enjoy others. But these judgements focus on the state of mind of the subject, rather than a quality in the object. We can say all that we want to say about the rightness and wrongness of our enjoyments without invoking the idea that some things are really enjoyable, others only apparently so.

With beauty matters are otherwise. Here the judgement focuses on the object judged, not the subject who judges. We distinguish true beauty from fake beauty-from kitsch, schmaltz and whimsy. We argue about beauty, and strive to educate our taste. And our judgements of beauty are often supported by critical reasoning, which focuses entirely on the character of the object.2
In his book Beauty: A Very Short Introduction, Scruton builds a strong argument for the objective nature of beauty. But it strikes me as obviously part of the human condition that we are built to recognize beauty. That's why no one thinks a rainbow is ugly and why all cultures across time have used color and art to increase the beauty of their surrounding environment. Psychiatrists have noted that distortions of the beautiful can even signal severe mental disorders, as the famous series of cat paintings by Louis Wain demonstrates.

Beauty grounded in God

If beauty is objective, then it reflects a common understanding among all people. The argument from morality says because all people have an inherent understanding of morality; because we can recognize what is good, we can know God exists. The argument from reason states because we can reason towards the true, we can know God exists. The Good and the true are what Scruton calls "ultimate values"—something we pursue for its own sake." He then explains, "Someone who asks, 'Why believe what is true?' or 'why want what is good?' has failed to understand the nature of reasoning."3

We recognize the beautiful like we recognize the good or we recognize the true. And it is because God exists that we can hold the true, the good, and the beautiful as valuable and objective.

References

1. Swinburne, Richard. "The Argument from Design." Philosophy of Religion: An Anthology. By Louis P. Pojman and Michael Rae. Belmont, CA: Wadsworth Pub., 1994. 201. Print.
2. Scruton, Roger. Beauty: A Very Short Introduction. Oxford: Oxford UP, 2011. 6-7. Print.
3. Scruton, 2011.2.
Image courtesy JFXie (Flickr: O Praise Him) [CC BY 2.0], via Wikimedia Commons

1 comment:

  1. It is not obvious that we should expect beauty to exist any more if God exists than if not. The only reason I can see that we *might* expect beauty to exist given the existence of God is that beauty enriches our lives and God would want our lives to be thusly enriched. But why would God want this any more than, say, evolution would "want" it (via natural selection)? After all, sexual beauty is likely to aid reproductive success, and other types of beauty might serve other purposes, or might simply be inextricably linked to sexual beauty.

    It is also interesting to note that beauty and ugliness seem to be two sides to the same coin. And although beauty might enrich our lives, ugliness might do the opposite. Not only does this sour the picture of pre-fall man (by requiring the existence of ugliness prior to sin entering the world), it undercuts any reason to expect beauty to exist given the existence of God. In contrast, it makes perfect sense given naturalistic evolution that some things might be beautiful and other things ugly.

    As for beauty being "objective," it is unclear what this is supposed to mean. Talk all you want about rainbows, but agreement about the beautiful seems to be far less common than disagreement. So, for instance, I might think your favorite Da Vinci painting is ugly whereas you think it's beautiful. To say that beauty is objective is to say that one or both of us are factually mistaken about the Da Vinci painting. But this seems extraordinarily implausible.

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